1927-1929 - Monza, “Casa delle vacanze” alla quarta Triennale di Monza Ceramic sanitaries for Ideal Standard, 1954 ca. - Milano, Stand della Richard Ginori alla Fiera Campionaria E' una banca dati, fondata sui materiali fotografici provenienti dallo studio Ponti, riordinati dalla figlia Lisa, in occasione dell'edizione del suo libro "Gio Ponti, l'opera", e su importanti integrazioni con nuove foto, schedature  e raccolta di dati, effettuate da Salvatore Licitra dal 1996 in poi. 1928, Arredamento Vimercati in Via Domenichino 1944: Sets and costumes for the ballet Festa Romantica by Giuseppe Piccioli. 1932 the chair, which was very strong but also so light that it can be lifted by a child using just one finger. 1931, Mobili per Turri 1961–1964: Parco dei Principi hotel, via Mercadante. The 1960s and 1970s were dominated by international architectural projects in places like Tehran, Islamabad and Hong Kong where Ponti developed new architectural solutions: the façades of his buildings became lighter and seemed to be detached like suspended screens. In 1964, he organised a series of exhibitions in the Ideal Standard showroom in Milan, named "Espressioni", featuring a generation of talents such as Ettore Sottsass, Bruno Munari, Achille Castiglioni, Nanda Vigo, Enzo Mari or the artists Lucio Fontana and Michelangelo Pistoletto. This villa has since been destroyed. He also founded the Labirinto group, with Tomaso Buzzi, Pietro Chiesa and Paolo Venini, among others. 1952: Architecture studio Ponti-Fornaroli-Rosselli, via Dezza. 1978: Objects made from silver leaf in collaboration with Lino Sabattini. 1931 Al MAXXI di Roma la mostra intitolata a Gio Ponti, architetto e designer. 1934: De Bartolomeis villas, Val Seriana. L’architettura è ormai un foglio traforato. Asta 129 / Lotto 345: GIO… Ponti also coordinated the Italian and European editions of the Eurodomus design exhibitions, including the exhibition "Formes italiennes" in 1967 at the Galeries Lafayette in Paris. His most famous works are the Pirelli Tower, built from 1956 to 1960 in Milan in collaboration with the engineer Pier Luigi Nervi, the Villa Planchart in Caracas and the Superleggera chair, produced by Cassina in 1957. 1932–1936: ItalCima chocolate factory, via Crespi. 1945: Furniture for Saffa, "La casa entro l'armadio" (the house in the wardrobe), 1945: Sets and costumes for the ballet Mondo Tondo by. Giò PONTI (1891-1979) è un artista nato nel 1891. In 1941 Ponti he resigned as editor of Domus and set up Stile magazine, which he edited until 1947. Ponti's parents were Enrico Ponti and Giovanna Rigone. 21-gen-2014 - Esplora la bacheca "G_PONTI" di Niki O. projects su Pinterest. Together with the Galfa Tower by Melchiorre Bega (1956–1959) and the Velasca Tower (1955–1961) of the BBPR Group, this skyscraper changed Milan's landscape. [6] Ponti chose bright and functional spaces with simple lines, including a fan-shaped building that housed three amphitheaters. In the field of interior design, Ponti multiplied inventions and favoured multifunctional solutions; In 1951, he developed an ideal hotel room for the Milan Triennial, in which he presented a "dashboard" bed headboard composed of shelves, some of which were mobile, and control buttons for electricity or radio. In the 1920s, Ponti began numerous collaborations, notably with the silverware company Christofle, the glassmakers Venini and Fontana Arte. 1938: Design of the "Mostra della Vittoria", Fiera di Padova. His daughter Lisa Licitra Ponti soon joined the editorial team. Ad ottant'anni Gio Ponti realizza ancora opere memorabili quali la Concattedrale di Taranto (1970) ed il Denver Art Museum . Spacious, equipped and built with modern materials, they met the requirements of the new Milanese bourgeoisie. The Hotel Parco dei Principi in Sorrento was one of the first design hotel in Italy. Venduto a € 75.000 + d.a. Starting from the traditional chair model, originating from the village of Chiavari in Liguria, Ponti eliminated all unnecessary weight and material and assimilated the shape as much as possible to the structure, in order to obtain a modern silhouette weighing only 1.7 kg. – Nacque a Milano il 18 novembre 1891 da Enrico e da Giovanna Rigone, in una famiglia molto rappresentativa della borghesia imprenditoriale lombarda. Dipinge su perspex, piega con … From 1950 to 1955, he was also in charge of the urban planning project for the Harar-Dessiè social housing district in Milan with architects Luigi Figini and Gino Pollini. The Labirinto unique piece furniture was made of luxurious materials; at the same time, he designed Domus Nova with Emilio Lancia, a furniture collection with simple lines that was produced in series and sold by the Milanese department store La Rinascente. 1960–1964: Tiling for Ceramica d'Agostino. 1920, Disegni di architettura anni '20 Milano è la città dove Gio Ponti realizzò molte delle sue opere. Vaso ad orcino Gio Ponti, Stuoia 1923 1925 – La prima casa che progettò ed abitò Nel 1925 progettò la sua prima casa a Milano, una palazzina in via G. Randaccio n. 9, d’ispirazione neoclassica (cioè … 1931–1936: Case tipiche (typical houses), via de Togni. 1967: Tableware for Ceramica Franco Pozzi. [15], In the 1940s and early 1950s, Ponti turned to unique creations showcasing the skills of exceptional craftsmen. Venduto a € 15.000 + d.a. A mirror of the architectural and decorative arts trends, it introduced Italian readers to the modernist movement and creators such as Le Corbusier, Ludwig Mies van der Rohe, Jean-Michel Frank and Marcel Breuer. Leggi su Domus gli articoli, le interviste e gli approfondimenti dedicati ai progetti di Gio Ponti. In 1956, they imagined an imaginary and colorful bestiary, light decorative objects such as cut and folded paper. Outside, the walls were like suspended screens that defined the space of the house. In 1952, he created a new agency with Antonio Fornaroli and his son-in-law Alberto Rosselli. - Levanto (Genova), 1931 From a simple participant, he became a member of the steering committee of the Monza Biennials in 1927, where he advocated for a closer bond between crafts and industry. Fotografie, disegni, lettere, documenti, testi critici e dati. 1971: Gabriela chair for Walter Ponti, San Biagio. He then joined forces with engineers Antonio Fornaroli and Eugenio Soncini to form Studio Ponti-Fornaroli-Soncini which lasted until 1945. Gio Ponti: scopri le opere e la biografia dell'architetto, designer e artista italiano. [7] In the late 1930s, Ponti deepened his research on Mediterranean housing by collaborating with writer and architect Bernard Rudofsky. 1934–1935: Domus Adele (Magnaghi and Bassanini building), viale Zugna. 1948: Coffee machine La Cornuta for La Pavoni. Thanks to his involvement in numerous exhibitions, Ponti established himself as a major player in the development of post-war design and the diffusion of "Made in Italy". - Levanto (Genova), Partecipazione alla costruzione del Monumento ai Caduti in Piazza Sant’Ambrogio Nel 1927 fonda il Labirinto, … 1950–1955: Urban planning and buildings for Ina, Harrar-Dessiè neighborhood, 1951: Competition for the interior design of the ocean liners Asia and Vittoria (. This fruitful collaboration, during which they designed furniture and many interiors where ornament and fantasy prevailed (Palazzo del Bo in Padua – 1940, Dulcioria pastry shop in Milan–1949, Sanremo casino – 1950, the liners Conte Grande – 1949 and Andrea Doria – 1950, etc. 1958–1962: RAS office building, via Santa Sofia. sul suo lavoro nel campo dell'architettura, … 1930: Furniture and objets for Fontana Arte. Ciborio per la Basilica 1966: Canopy for the main basilica at the Oropa sanctuary, 1967–1969: Colourful and triangular skyscrapers (. Ponti also contributed to the creation in 1954 of one of the most important design awards: the Compasso d'Oro prize. 1930-1933, Posate ed altri oggetti per Krupp Italiana (Inizio della collaborazione) MOTORE DI RICERCA GIO PONTI: Milano 1891 - 1979 Asta 147 / Lotto 206: GIO. Opere. In 1970, Ponti presented his concept of an adapted house (casa adatta) at Eurodomus 3 in Milan, where the house is centred around a spacious room with sliding partitions, around which the rooms and service areas gravitate. [3] From 1936 to 1961, he taught at the Milan Polytechnic School and trained several generations of designers. Ponti began his architectural career in partnership with Mino Fiocchi and Emilio Lancia from 1923 through 1927, and then through 1933 with Lancia only, as Studio Ponti e Lancia PL. 1938–1949: Columbus clinic, via Buonarotti. “Gio Ponti Archives” ha sede nei locali che erano lo studio di Gio Ponti, nell'edificio da lui progettato e abitato in via Dezza 49 a Milano. Lit from behind, the facade turned into a bright screen at night. 1932-1935, © Gio Ponti Archives | Tutte le immagini e i testi sono coperti da copyright, 1926 1935–1938: First Montecatini building, via Turati. 1920 -1930, Ceramiche e porcellane per Richard-Ginori, Manifattura di Doccia, Sesto Fiorentino (Firenze) e San Cristoforo (Milano) La quotazione e gli … Other collaborations were established, in particular with the Dal Monte brothers, who specialised in the production of papier-mâché objects, the ceramist Pietro Melandri, the porcelain manufacturer Richard Ginori and the Venini glass factory in Murano. 1939: Competition for the Palazzo dell'Acqua e della Luce ("Palace of Water and Light") for the E42, 1949: Interior design of the ocean liners Conte Biancamano and Conte Grande for, 1950: Interior design of the ocean liners. [1] During his career, which spanned … E' una banca dati, ... Opere di pittura 1920 - 1970 Mobili vari anni … Ponti also offered to Domus readers detailed plans of a circular house called Il scarabeo sotto la foglia (1964– The beetle under a leaf). 1927 - Milano, Mobili per "Il Labirinto" 1930, Grande tavolo in alluminio presentato alla 4° Triennale di Monza Conceived as large-scale abstract sculpture, it can be seen from the inside as an uninterrupted sequence of points of view where light and color prevail. [7] From 1943, due to the Second World War, his activity as an architect slowed down. The furniture also became flexible and space-saving in order to optimise space. Vedi tutte le foto e le immagini di Gio Ponti, leggi tutte le notizie e le informazioni su Gio Ponti… 1920, Disegni anni '20 La prima casa nel … Assertore di una riforma architettonica e decorativa che si riflette nelle diverse manifestazioni della … Finally, he obtained an honorary doctorate from the London Royal College of Art. [1] With its vertical and horizontal frames through which shelves, bookcases and frames can be arranged, the "fitted window" became the fourth transparent wall of a room and ensured a transition between the inside and the outside. 1927 1952: Interior design of the ocean liner Africa for Lloyd Triestino. Together with this manufacturer, he also produced geometrically decorated and coloured tiles to cover the floors of the Salzburger Nachrichten newspaper's headquarters in Salzburg in 1976. 1924-1926 1930–1933: Textiles for Vittorio Ferrari, 1940: Paintings and objects made from enamel on copper in collaboration with, 1940–1959: furniture and interior design in partnership with, 1941–1947: Furniture decorated with enamel in collaboration with, 1942–1943: Film adaptation of the play Henry IV by. 26-mar-2020 - Esplora la bacheca "gio ponti" di stefaniatropea, seguita da 119 persone su Pinterest. A block away, in via Dezza, Ponti built a nine-story apartment building, which housed his family. 1964–1970: Montedoria building, via Pergolesi. Asta 139 / Lotto 314: GIO. Pirelli Tower, Milan (1956–1961), interior, In 1923, Ponti was appointed artistic director of Richard Ginori, one of Italy's leading porcelain manufacturers, based in Milan and Sesto Fiorentino, changing the company's whole output through the involvement of some of the main Italian artists of the time, including the sculptor Salvatore Saponaro. Other outputs of the time include the 1928 Monument to the Fallen with the Novecento architects Giovanni Muzio, Tomaso Buzzi, Ottavio Cabiati, Emilio Lancia and Alberto Alpago Novello, The 1930s were years of intense activity for Ponti. Informatevi sulle opere di Gio Ponti attualmente offerte e vendute presso la casa d’aste Dorotheum. Ciò è indispensabile per dar conto efficacemente della figura e del lavoro di Ponti, impegnato per sei decenni su molteplici fronti, dall'architettura al design, dalla comunicazione all'arte. He invented lighting fixtures for Fontana Arte, Artemide (1967), Lumi (1960), and Guzzini (1967), but also fabrics for JSA and a dinner service for Ceramica Franco Pozzi (1967). - Milano, Arredamento in vetro per il negozio Dahò Asta 147 / Lotto 207: GIO. Ponti died on 16 September 1979. This vast hangar was designed as an architecture laboratory, an exhibition space and a space for the presentation of studies and models. [4], Still in Milan, the 108-meter-high (354 ft) Littoria Tower (now Branca Tower), topped by a panoramic restaurant, was built in 1933 on the occasion of the Fifth Triennial of Decorative Arts, which inaugurated its new headquarters built by Giovanni Muzio. 1927-1930 - Monza, Disegni anni '30 He also rationalized the production system of the pieces while maintaining their high quality of execution. At the time of its inauguration, and for a few months, it was the tallest building in Europe. - Varedo (Milano), Illustrazione di "La casa della cortigiana" di Oscar Wilde, Illustrazione de "La ballata del carcere di Reading" di Oscar Wilde, Ceramiche e porcellane per Richard-Ginori, Manifattura di Doccia, Sesto Fiorentino (Firenze) e San Cristoforo (Milano), Villa Bouilhet "L' ange volant" a Garches, Parigi, Francia, Concorso per l’arredamento di una Ambasciata Italiana, Oggetti in peltro ed argento per Christofle (inizio della collaborazione), Vestibolo a "Le salette" a La Rinascente-Domus Nova, Padiglione dell’Industria Grafica e Libraria alla Fiera Campionaria, Partecipazione al concorso per il Piano Regolatore di Milano "Forma Urbis Mediolani", Stand della Richard Ginori alla Fiera Campionaria, Partecipazione alla costruzione del Monumento ai Caduti in Piazza Sant’Ambrogio, Sistemazione della “Rotonda” del Padiglione Italiano alla 16° Biennale di Venezia, Disegni per ricami su seta per la Scuola di Cernobbio, Negozio del parrucchiere Malagoli in Piazza Virgilio, Cappella Borletti al Cimitero Monumentale, Disegni per stoffe stampate per De Angeli-Frua, Fontana Arte (inizio della collaborazione), Grande tavolo in alluminio presentato alla 4° Triennale di Monza, Arredamento per una cabina di lusso su un transatlantico per la IV Triennale di Monza, “Casa delle vacanze” alla quarta Triennale di Monza, Tessuti per Vittorio Ferrari (inizio della collaborazione), Posate ed altri oggetti per Krupp Italiana (Inizio della collaborazione), Tre librerie per le Opera Omnia di D’Annunzio, Banca Unione sede centrale (poi Barclays Castellini) in Via S.ta Maria Segreta, Progetto per una casa d'abitazione in città, “Case Tipiche”: Domus Julia, Domus Carola e Domus Fausta in Via De Togni, Stabilimento Italcima all’angolo tra Via Crespi e Via Legnone. The pieces were presented at the first decorative arts biennial in Monza in 1923. In the last years of his life, Ponti was more than ever in search of transparency and lightness. GIO PONTI (1891-1979) AND TOMMASO BUZZI (1900-1981) A Glazed and Parcel-Gilt Ceramic Three-Part Centerpiece 'Trionfo da Tavola', 1926-27 comprising Italia, Delfino con bimbo and Cavallo Marino … With the artist and enameller Paolo De Poli, they created enamelled panels and brightly colored furniture. 1953: Italian-Brazilian-Centre, Predio d'Italia. 1926, Oggetti in peltro ed argento per Christofle (inizio della collaborazione) 1928 They were used for the interior decoration of the hotels Parco dei Principi in Sorrento (1960) and in Rome (19611964). [19] The aim of this review was to document all forms of artistic expression in order to stimulate creation through an independent critical perspective. The family Bouilhet who entrusted him with his first architectural commission abroad, with the construction of the Ange Volant (1926–1928, in collaboration with Emilio Lancia and Tomaso Buzzi), a country house located on the edge of the Saint-Cloud golf course, on the outskirts of Paris. [8] Construction continued in Milan. Marco Romanelli, Licitra Ponti, Lisa (ed. He was involved in many projects, particularly in his native city of Milan. [11][12] He completely renewed the iconographic repertoire by freely revisiting the classical tradition. 1931 He also planned a film adaptation of Luigi Pirandello's Enrico IV for Louis Jouvet and Anton Giulio Bragaglia. From 1936 to 1961 he worked as a professor on the permanent staff of the Faculty of Architecture at Politecnico di Milano University. Within the new multidisciplinary review of art, architecture and interior design Domus, which he founded in 1928 with the publisher Gianni Mazzochi and which he directed almost all his life, Ponti had the opportunity to spread his ideas. Giovanni "Gio" Ponti (18 November 1891 – 16 September 1979) was an Italian architect, industrial designer, furniture designer, artist, teacher, writer and publisher.[1]. After the death of Alberto Rosselli he continued to work with his longtime partner Antonio Fornaroli. 1951: Interior design of the ocean liner Oceania for Lloyd Triestino. 1929-1931 Les biographies de Carl Andre consignent bien entendu sa date de naissance, 1935 à Quincy dans le Massachusetts, et s’accordent pour faire de l’artiste américain un des principaux représentants de … - Milano, Cappella Borletti al Cimitero Monumentale L'architettura è ormai un foglio traforato. ), Daniel Sherer, “Gio Ponti: The Architectonics of Design,” Catalogue Essay for, Daniel Sherer, “Gio Ponti in New York: Design, Architecture, and the Strategy of Synthesis,” in, This page was last edited on 11 December 2020, at 19:33. [21], http://www.archidiap.com/opera/scuola-di-matematica/, "Il pellegrino stanco by Gio Ponti by Salvatore Saponaro | Blouin Art Sales Index", Gio Ponti's works on the Italian public Television – RAI, INA Casa Harrar-Ponti by Gio Ponti in Rome (1951–1955), https://en.wikipedia.org/w/index.php?title=Gio_Ponti&oldid=993653779, Italian military personnel of World War I, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Architectures designed by Ponti photographed by. He also married Giulia Vimercati in 1921; they had four children (Lisa, Giovanna, Letizia, and Giulio) and eight grandchildren. In 1930, he designed furniture and lighting for the glassmaker Fontana and became in 1933, together with Pietro Chiesa, the artistic director of the branch Fontana Arte. He fought in the Pontonier Corps with the rank of captain, from 1916 to 1918, receiving the Bronze Medal and the Italian Military Cross. 1928 The Gabriela chair (1971) with a reduced seat, as well as the Apta furniture series (1970) for Walter Ponti, illustrated this new way of life. 1935–1936: Interior design and furnishing of the Italian cultural institute, Lützow-Fürstenberg Palace.